BIO | CV
EDUCATION
2010 Documentary Photography and Photo Journalism Program, International Center of Photography, New York, NY
2001 BFA, Harrington Institute of Design, Chicago, IL
SELECTED SOLO EXHIBITIONS
2011 Between Waves, House of Kulture / Brooklyn, NY
SELECTED GROUP EXHIBITIONS
2011 Through A Lens: Inspiration or Desperation, Coastal Arts League Museum / Half Moon Bay, CA
2011 Portraits, The Center for Fine Art Photography / Fort Collins, CO
2011 New Directions I Moments of Being, Wall Space Gallery at Angle Gallery / Seattle, WA
2011 New Directions I Moments of Being, Wall Space Gallery / Santa Barbara, CA
2010 New York Photo Festival I Capture Brooklyn, Powerhouse Gallery / Brooklyn, NY
2010 Of Bodies and Other Things, International Center of Photography Education Gallery / New York, NY
2009 Exposed, Salvage One / Chicago, IL
PUBLICATIONS
2012 Identities Now / Peter Hay Halpert Fine Art
2011 The New Breed of Documentary Photographers, Geoffrey Hiller / Verve Photo, May 11
2011 Residue, Secret Islands Private Paths, Through My Window, Graham Letorney / NYPH11, April 13
2010 100 Words: Photographers Speak, Graham Letorney / NPR Picture Show, October 13
2010 The Interview, Yuan Di / Jia Za Zhi, Vol. 44
2010 Community, Christy Karpinski / F-Stop Magazine, Vol. 44
2010 Water, Alison Morley / Shift, Vol. 5
GRANTS/AWARDS/SCHOLARSHIPS
2011 Coastal Arts League, Third Place, Michael H. Kelliutt International Photo Show
2010 The Spotlight Award, Finalist, Foto Visura
2010 George and Joyce Moss Scholarship for Photojournalism, New York, NY
WORKS
Engagement in a long-term photographic examination of the concept of ‘Home’ - a fundamental need that crosses all cultures and generations. Translated specific meanings of ‘Home’ through bodies of work produced in diverse cultural locations.
| 2010 | Brighton Beach, NY Concentration on two distinct generational waves of Ukrainian and Russian immigrants residing on the East Coast of the United States. Produced images depicting the struggle to preserve cultural heritage while adapting to new social environments. The work poses questions of what can be lost in transition and evokes a sense of isolation, confusion, friction, and dislocation. |
| 2008 | Cuba Photographed the insular culture of Cuba. With limited options and pervasive government control, ‘Home’ is strictly mandated and time appears to have been frozen. Despite this, or perhaps because of it, there is a unique and passionate sense of belonging based on common experience that spans generations. |
| 2007 | Immokalee, Florida Produced a photo essay on Mexican migrants working on farms. Portrayed a sense of belonging, warmth and sprit within the community. Showcased how ‘Home’, regardless of circumstance, is created. |
| 2006 | Argentina and Spain Executed a body of work centered on the elderly population struggling to maintain their sense of ‘Home’ in modern cities. Captured subjects in moments where they appear to exist frozen in time and oblivious to the fast-paced, youthful world around them - their sense of home confined to times past. |
| 2003 | Ukraine Observations of native culture and personal significance of ‘Home’. The resulting images reflect how choices of migration affect kinship. Focus groups included Ukrainians in their indigenous country, those that immigrated, and the children of immigrants raised with the culture of what their parents remember as ‘Home’. |
| 2002 | Japan and Southeast Asia Explored the idea of ‘Home’ through photographing devotees of the numerous religious faiths and institutions inherent to these counties. With the removal of tangible and external influences, ‘Home’ becomes an almost exclusively spiritual and internal concept. |